RESUME : Réunit un nombre important de documents inédits (ou devenus introuvables) permettant de penser la genèse et la totalité de l'oeuvre de Jean-Luc Godard en tant que cinéaste, écrivain, plasticien, vidéaste, producteur : synopsis, lettres, press-books, scénarios, documents de tournages, etc.). Contributions de quelques artistes qui entretiennent avec cette oeuvre un rappo...(展开全部)

Some thirty years ago filmmaker Jean-Luc Godard told critic Gene Youngblood, I am trying to change the world. He has pursued his revolution in works ranging from the explosive Breathless to the eloquent Contempt to the controversial Hail Mary and the postmodern Histoire(s) du cinema, shaking up conventional formulas with boldly innovative ap-proaches to every aspect of cinema a...(展开全部)

大卫·斯特里特，美国长岛大学副教授，《基督科学箴言报》资深影评人。

大卫·斯特里特，美国长岛大学副教授，《基督科学箴言报》资深影评人。

Originally released as a videographic experiment in film history, Jean-Luc Godard's Histoire(s) du cinéma has pioneered how we think about and narrate cinema history, and in how history is taught through cinema. In this stunningly illustrated volume, Michael Witt explores Godard’s landmark work as both a specimen of an artist's vision and a philosophical statement on the histor...(展开全部)

Using the philosophy of Jean-Luc Nancy as an anchoring point, Jacques Derrida in this book conducts a profound review of the philosophy of the sense of touch, from Plato and Aristotle to Jean-Luc Nancy, whose ground-breaking book "Corpus" he discusses in detail. Emmanuel Levinas, Maurice Merleau-Ponty, Edmund Husserl, Didier Franck, Martin Heidegger, Francoise Dastur, and Jean-...(展开全部)

Jean-Luc Godard, like many of his European contemporaries, came to filmmaking through film criticism. This collection of essays and interviews, ranging from his early efforts for La Gazette du Cinéma to his later writings for Cahiers du Cinéma, reflects his dazzling intelligence, biting wit, maddening judgments, and complete unpredictability. In writing about Hitchcock, Wel...(展开全部)